Erté (Romain de Tirtoff)

1892-1990

Erté was brought up in St. Petersburg. In 1912 he went to Paris, where he briefly collaborated with Parisian couturier Paul Poiret. He then became a costume designer and began selling his pen-and-ink and gouache fashion illustrations to American fashion houses. From 1916 to 1937 he was under contract to the American fashion magazine Harper’s Bazaar. (A collection of Harper’s Bazaar illustrations was published in Designs by Erté [1976] with text by Stella Blum.) His highly stylized illustrations depicted models in mannered poses draped in luxurious jewels, feathers, and soft, flowing materials against a background of interiors in the Art Deco style. The same lavish style marked Erté’s theatrical designs. For 35 years he designed elaborately structured opening tableaus, finale scenes, and costumes for the French theatre. He worked for the Folies-Bergère in Paris from 1919 to 1930.  In the 1960s Erté produced lithographs, serigraphs, and sheet-metal sculptures.

"Le Choix Du Soir"
"Le Choix Du Soir"

A signed limited edition serigraph on paper titled The Choice by Erté (Russia/France, 1892–1990). Subtitled “Le Choix Du Matin” and “Le Choix Du Soir", or “The Choice in the Morning” and “The Choice in the Evening”, this work depicts side-by-side scenes of an elegant woman standing in front of a black armoire housing two dress choices.

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"Le Choix Du Soir"
"Le Choix Du Soir"

“The Choice in the Evening" this work depicts side-by-side scenes of an elegant woman standing in front of a black armoire housing two dress choices. It is signed in pencil to the lower right margin and numbered 114 of an edition limited to 300 in the lower left margin. It is framed with a mat and gold liner under glass. The simple black frame is wired and ready to hang. Art, 35" by 18".

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“Le Choix Du Matin”
“Le Choix Du Matin”

Also described as “The Choice in the Morning” this work depicts side-by-side scenes of an elegant woman standing in front of a black armoire housing two dress choices. It is signed in pencil to the lower right margin and numbered 114 of an edition limited to 300 in the lower left margin. It is framed with a mat and gold liner under glass. The simple black frame is wired and ready to hang. Art, 35" by 18".

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Erté "Ready for the Ball" (Diptych)
Erté "Ready for the Ball" (Diptych)

Erté "Ready for the Ball" (Diptych) Serigraph Signed & Numbered. 21 1/2" high x 17" wide. 33 1/2" high x 50" wide with frame.

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Erté "Ready for the Ball" (Diptych)
Erté "Ready for the Ball" (Diptych)

Erté "Ready for the Ball" (Diptych) Serigraph Signed & Numbered. 21 1/2" high x 17" wide. 33 1/2" high x 50" wide with frame.

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Artist signature
Artist signature
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The Bath of the Marquis
The Bath of the Marquis

Serigraph

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Erté, Radiance
Erté, Radiance

1988 23"(H) x 15"(W) Edition 203/375 Foundry stamp with stamp/chop mark

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The Letter H
The Letter H

Edition # 201/350 Hand Signed Serigraph Size: 24" X 30 1/2" framed

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Erté, Coming of Spring
Erté, Coming of Spring

1981 serigraph  size  pencil signed edition 274/300 suggested retail $7200.

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The impact of Erté’s contributions to the principles of contemporary fashion, design, and theater, and setting the visual pace within the 20th century, cannot be underestimated. His work set the precedent for the interconnection of art and culture. Erte art majestically encapsulates the taste and aesthetic of the time, with influences drawn from diverse sources such as Russian iconography, Byzantine mosaics, Greek pottery and Indian and Egyptian art.

Admired by celebrities of the time and emulated by the everyday woman, he is one of few artists who has had significant influence over cultural trends. Erté introduced the image of a stylized body draped in beads and furs, which would define and capture the essence of a generation: spectacle, exoticism, and fantasy. - Fiona McKay & Xenia Capacete

**Read the remainder of this article by clicking the Erté link**